Since Jaclyn Reinhart last released any music, her life and her sound have both undergone some drastic changes. Trading in her pop-rock style from the Americana of her heroes Tom Petty and Sheryl Crowe, “Rearview” is about recognizing when the time has come to put your past behind you and move on with something new in your life.
Isaac Marr adds his name to the list of musicians who, over the course of the last two years, having found themselves at the receiving end of a global, industry-shifting curveball, took matters into his own hands. He has released a pair of singles—”Funeral” and “Inheritance”—that have been crafted in the depths of a lockdown, both produced and mixed by bandmate AJ Boutilier (Ursa Bright, Designosaur, Book Buddies).
There are some albums that give themselves an eternal spot in your rotation upon first listen. Albums that tap into a distinct musical essence so invigorating that they form a concrete part of your mind’s musical framework. David Myles’ surprise jazz-funk hit That Tall Distance is just such an album, and as evidenced on the two lead singles off of the album, Myles’ foray into vibrant new genres is an extremely rewarding exploration.Continue reading David Myles Crafts a Timeless Jazz-Funk Gem with ‘That Tall Distance’→
Hope isn’t the only thing to spring eternal. “Ashes,” the second single from June Body’s upcoming album, Never Here Long, plumbs the depths of frontman Connor James’ sense of pessimism. Written in the relatively cheery before times of 2019, the song sounds like the bright silver lining in the otherwise dark cloud springing forth from Connor’s ever-present sense of dread. Continue reading June Body’s New Single ‘Ashes’ Shows That Sunshine and Rainbows Just Aren’t in Their Nature→
