One of the most valuable bits of advice I can offer anyone is to avoid grocery shopping when you’re hungry. The same advice can be extended to dating; you’re going to find yourself coming away with some questionable choices that you probably didn’t really need in the first place.
The latest single from Blue Acres is full of haunting vulnerability. “How to Start Again” exposes a side of Darrel Cameron that is clearly still looking mend as he practically pleads with the universe to help him find his footing while making nods to early Bon Iver and Gregory Alan Isakov.
The east coast has been a veritable hotbed of scintillating jazz this year. Across the broad spectrum of the genre, we’ve been seeing artful works of fusion and soothing, traditional sounds. And now Behrooz Mihankhah, an Iranian-born and Halifax-based pianist, is unveiling a piece that weaves his distinct musical heritage into hallmarks of jazz beautifully. Mihankhah’s “Lydium” is nothing short of tantalizing, and is a reminder of jazz’s impactful malleability. Continue reading Behrooz Mihankhah Weaves Iranian-Jazz Fusion on ‘Lydium’→
If at first, you don’t succeed, perhaps consider reincarnation. “Mary,” the latest single from Sunnyside Uppers, is pulling vibes from ’90s alternative, ’00s indie, ’60s pop, but its more recent history goes back to an earlier iteration of the song released by the second iteration of the band. Continue reading Sunnyside Uppers Revisits Beach Chairs with Glory Glory for ‘Mary’→
Loviet continues down a path toward being synonymous with summer vibes. The third single from their upcoming album, following previously released hits of “Jawbreaker” and “Dullshine,” “Chemical” goes big on the nostalgia; capturing Natalie Lynn’s larger-than-life superstardom as she follows in the footsteps of Debbie Harry and Madonna, especially with a new video that plays out like an extended dream sequence between Cameron Frye and Sloane Peterson. Continue reading Loviet Gets Into the Ups and Downs of Looking Back with ‘Chemical’→
