Between 2010 and 2014, Matt Steele worked as a sound technician, burning the midnight oil to stretch long days into longer nights, all to serve his music community. However, as a self-proclaimed guy who struggles to maintain his energy levels off the stage, those long hours can be grueling, and, as the title of “Falling Asleep at the Metal Show” suggests, keeping your eyes open isn’t always the easiest task.
If post-Toronto was a genre, Kelly McMichael would be its poster child, champion, and priestess. Her debut solo album, Waves, is half confessional, half musing, as this musical chameleon ushers us about, through the eddies of her life in the wake of fronting past musical projects like RENDERS, Rouge and Thelma & Louise. This is the evolved form of a musician who has been shaped by experience and learned when to break the rules and when to make them her own. Continue reading Kelly McMichael Debuts in Fully Evolved Form for Album ‘Waves’→
Mixing reminiscence on the highs and lows of growing up in a small town with bits of the town’s cultural history, Sluice’s debut album Le succès par le travail is working double duty. The release’s youthful energy and hyper-specific regional history make it an eight-track time capsule straight out of Trevor Murphy’s life. Continue reading Sluice Mixes History and a Dance Party with ‘Le succès par le travail’→
Long ago, in the Before Times, Aaron MacDonald wrote a song designed to unite the world, ushering in a bright future in which all could exist in perfect peace and harmony. For that one brief moment in which it emerged into our cultural consciousness, it hung like a shining beacon of hope, calling each of us forth to embrace one another and pledge to live out our lives as the best versions of ourselves. And then it vanished out of existence, lost in the shadow of The Twilight Saga or some other nonsense that did nothing for us as a species but undoubtedly saw remarkable box office returns.
